{"id":104786,"date":"2023-03-13T16:54:44","date_gmt":"2023-03-13T15:54:44","guid":{"rendered":"https:\/\/paolalenti.spaziodemo.org\/en\/?p=104786"},"modified":"2023-04-15T16:58:14","modified_gmt":"2023-04-15T14:58:14","slug":"a-tu-per-tu-alessandra-malfatti","status":"publish","type":"post","link":"https:\/\/paolalenti.spaziodemo.org\/en\/face-to-face-with-alessandra-malfatti\/","title":{"rendered":"Face to face with Alessandra Malfatti"},"content":{"rendered":"<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"A TU PER TU CON ALESSANDRA MALFATTI\" src=\"https:\/\/player.vimeo.com\/video\/807965615?h=8ebe381827&amp;dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Alessandra Malfatti fell in love with \u201cgrand feu enamelling\u201d during an exposition of Paolo De Poli, a renowned Paduan enameller who worked with Gio Ponti. She was seduced by its dazzling colours, the reflections, and the shimmering luminosity of the enamelled surfaces.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Since then, she has nurtured the dream to learn to work with fire to reproduce that magic. For the mystery of enamel is generated by the fire: letting melt powder of coloured glass on metal surfaces in kilns at extremely high temperatures.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" width=\"1300\" height=\"716\" src=\"https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/malfatti-colore.jpg\" alt=\"\" class=\"wp-image-104788\" srcset=\"https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/malfatti-colore.jpg 1300w, https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/malfatti-colore-300x165.jpg 300w, https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/malfatti-colore-1024x564.jpg 1024w, https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/malfatti-colore-768x423.jpg 768w, https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/malfatti-colore-800x441.jpg 800w\" sizes=\"(max-width: 1300px) 100vw, 1300px\" \/><\/figure>\n\n\n\n<p>Graphic designer, already used to designing little objects, Malfatti enrolled in an art school. There, she met two excellent masters, Graziano Visintin and Maria Rosa Franzin, and she specializes with Ennio Cestonaro, a polyhedric artist and an expert in enamel.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The path is marked. Driven by the desire to develop her expressive style, she establishes a laboratory on the outskirts of Padua, purchases the first kilns, and begins chromatic research to select the best glazes.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>\u00abThe absolute seduction of enamel lies precisely in the colour\u00bb Malfatti explains. \u00abIn the nuances, shades, and combinations that can be achieved\u00bb.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This is what binds her to Paola Lenti. They started by imagining surfaces that can be combined with the company&#8217;s collections: movable backdrops, bookshelves, and table tops.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>Alessandra Malfatti experiments with Esmal, a contemporary reinterpretation of the ancient &#8220;Grand Feu&#8221; enamelling technique that creates numerous shades and chiaroscuro, making each object a one-of-a-kind piece.<\/p><\/blockquote><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n\n<section id=\"video-autoplay-mb-block-a6a33501-2bf2-4fec-b700-29492df2b5a4\" class=\"video-autoplay  \">\n    <div class=\" \">\n        <div class=\" \">\n            <div class=\" video-launch-container\">\n\n\n                <video\n                        style=\"max-width:100%;height: auto;width: 100%;\"\n                        src=\"https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/SMALTI_PER-INSIGHT.mov\" loop=\"true\" muted=\"true\"\n                        poster=\"\" autoplay=\"true\"\n                        playsinline=\"true\">\n\n            <\/div>\n\n        <\/div>\n    <\/div>\n<\/section>\n\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A complex technique that originated in the Mediterranean between the fourteenth and thirteenth centuries BC. and is now used by very few artists worldwide.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alessandra Malfatti chose copper as a support material; her inspiration comes from nature in all of its changing forms and innumerable shades. Another common ground: the family lexicon shared with Paola Lenti.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>From the observation of the luxuriant vegetation of the Padua Botanical Garden \u2013 Alessandra Malfatti\u2019s place of the heart \u2013 an installation of philodendron leaves in enamelled copper arises which, suspended from the ceiling, restores the atmosphere of a tropical forest.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Colours and veins derive from a skilful stratification of the enamels, while the <em>movement<\/em> of the leaves is forged manually when the copper comes out of the kiln and when the material is still ductile. Finally, fire puts its indelible mark on it, since different temperatures and firing times can produce signs, chiaroscuro and transparencies that are different each time. This is the mystery that Malfatti had sensed in De Poli&#8217;s works.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Experimentation goes on. &#8220;I am conducting several experiments with the idea of creating a sort of fantastic herbarium in various shades, from green to earth,&#8221; the Paduan artist declares. \u201cCurrently, these are tiny plates that are always made of enamelled copper and have simple symbols that may represent a leaf or a cactus. They might evolve into furniture, items, or something else in the future\u201d.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>To give depth to the images, Malfatti uses both transparent and opaque enamels. \u00abIt is precisely this feeling of depth, which is produced through the colour and which varies according to the light, that makes each piece precious\u00bb.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns\">\n<div class=\"wp-block-column\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns alignfull\">\n<div class=\"wp-block-column\" style=\"flex-basis:10%\"><\/div>\n\n\n\n<div class=\"wp-block-column\" style=\"flex-basis:80%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1024\" height=\"564\" src=\"https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/naturaok-1024x564.jpg\" alt=\"\" class=\"wp-image-104862\" srcset=\"https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/naturaok-1024x564.jpg 1024w, https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/naturaok-300x165.jpg 300w, https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/naturaok-768x423.jpg 768w, https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/naturaok-800x441.jpg 800w, https:\/\/paolalenti.spaziodemo.org\/wp-content\/uploads\/2023\/03\/naturaok.jpg 1300w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column\" style=\"flex-basis:10%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Face to face<\/strong><br>with Alessandra Malfatti, Padova<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p style=\"font-size:16px\">Interview by Anna Vullo<br>Director Maurizio Natta<br>Cinematographer Fabrizio Polla Mattiot @ateliermistral<br>Filmed by Maurizio Natta, Fabrizio Polla Mattiot @ateliermistral, Gianlorenzo Bernab\u00f2 di Negro<br>Audio post production Top Digital<br>Soundtrack Universal Music Publishing Ricordi Srl<\/p>","protected":false},"excerpt":{"rendered":"<p>The allure of \u00abGrand Feu\u00bb<\/p>\n","protected":false},"author":25284,"featured_media":104860,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[69,70,75,185],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.8 - 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